Here’s hoping this is the year the Great Pumpkin finally visits your pumpkin patch!
Here’s hoping this is the year the Great Pumpkin finally visits your pumpkin patch!
The zombies crashed into the house.
“Brains!” they moaned.
The family was gathered around the television, watching. None of them moved.
The zombies scratched their heads. The parents were staring at the screen. The children’s mouths hung open.
“No brains!” the zombies moaned.
And moved on to the next house.
Scooby-Doo. Amazing, isn’t it? Here it is, nearly fifty years after the first episode aired, and Scooby-Doo movies and cartoons are still being made.
I’ll admit that I haven’t watched any of the newer programs myself, so I can’t speak as to their quality. I loved the original Scooby-Doo shows way too much to taint my memory of them with some newer (and undoubtedly less charming) version of a classic. Besides, I still watch the reruns from time and time, and you know what? I’ll be darned if they aren’t just as good as they were when I was a kid. Of course, maybe I appreciate them on a slightly different level now.
Because it turns out that the Scooby-Doo shows, in their early manifestations, weren’t about a gang of teenagers and a talking dog. They weren’t about how many ways you can work chocolate sauce into a quadruple-decker sandwich, or how easily villains are fooled by cheap, impromptu disguises. They weren’t even about solving mysteries. What Scooby-Doo was really about was the triumph of reason over superstition. Because what devotees of Scooby-Doo learned from watching the show was simply this: There is a rational explanation for everything.
It’s brilliantly done. You have Fred and Velma, the logical leaders of the group, who are consistently convinced that there’s no such thing as ghosts and are determined to prove it. You have Daphne, who stands on the fence, being sometimes a believer and sometimes a skeptic. And finally you have Scooby and Shaggy, the superstitious “cowards” who fall prey to every supernatural trick. Yet they’re the ones who always end up having to lure their paranormal pursuers into the gang’s cleverly designed trap. They’re the ones who constantly have to find the courage to confront their fears, and who ultimately reap the greatest satisfaction from uncovering the truth. And they’re undeniably our favorites, the ones we identify with and support.
You can’t help but root for the hungry young man and his faithful and equally hungry Great Dane, to hope that they’ll learn to trust the logic of their peers even as we ourselves learn to trust it. Because the show proves, time and again, how needless their fear really is, how silly their conviction that werewolves and mummies and monsters are real. And as viewers, we know better, because we know how it always ends. The phosphorescent alien footprints trailing across a barren field. The eerie thumping of a mysterious and invisible drummer. The green ghosts emerging from hidden hallways and secret staircases to taunt and terrorize our valiant crew. Week after week, we watch and we learn.
There’s no such thing as ghosts. It’s always a trick, a scheme devised by mere mortal men to keep people away from the site of the haunting or other creepy phenomenon. There’s always a plot to abscond with someone else’s treasure, or to foil the attempts of greedy neighbors to abscond with one’s own. No matter how frightening or eerie or persuasive the phantom, it always turns out to be a man in disguise.
That’s what makes Scooby-Doo the ultimate symbol of my generation. It’s why we think the way we do; why we champion proof and science, and why we’ve discarded spooks and angels. It’s why when a door slams shut in the middle of the night we suspect a prowler and not a poltergeist. It’s why we blame trick photography and digital imaging for producing shapes and shadows we can’t discern or identify. It’s why we’ve lost belief in demonic possession and intensified our interest in mental illness, and why we hope to find aliens and not to fight them. Because we know that crime is real. That evil is real. That fear is real. But we also know that no supernatural power lies behind them. Only a human, just like us.
Is it better this way? Perhaps. Except that we’ve gone beyond the golden Scooby-Doo moment of discovering that the spirit of which we were deathly afraid is just a run-of-the-mill crook playing a trick. There’s no revelation here, no joy in finally uncovering the man behind the mask. Because we never thought for a moment that the ghost was real. We never believed it was anything more than another troubled human taking what wasn’t theirs and scaring people in the process. Because that’s how thoroughly we understand humans now, how much more dangerous they are than demons and phantoms. Fear doesn’t come from outer space or beyond the grave anymore. It’s right here beside us, sleeping in the upstairs apartment or working in the next tiny cubicle or tramping down the same tiled hallway.
Science has triumphed. Rationality has triumphed. But they haven’t turned our world into a prettier or less intimidating place. Rather they’ve made us aware that what humans harbor in the darkest depths of their hearts is more frightening by far than any monster we could have imagined. We expect monsters to kill and destroy without thinking, and without reason. We don’t expect spirits to care whom they frighten, or whom they hurt. But we expect humans to behave better than beasts or bogeymen. How do we explain it when they don’t?
Scooby-Doo understands. Because here, in the real world, behind every event we can’t explain, there also lies a mystery to unravel. Perhaps it’s not the mystery we were expecting, because it’s not merely a matter of proving that the ghost is a fake, or that there’s a real live person behind it. This infinitely more complex riddle can never be solved in twenty-two minutes with a jumbo box of laundry detergent and an industrial-sized fan. It’s the mystery of human behavior, of what truly transpires on the other side of the masks that all of us wear.
When I was in the seventh grade, my English teacher assigned us a creative writing project for Halloween. We were to compose short stories, which we would then read aloud before the class, coupled with a competition of sorts in which the students would vote on who had written the best one.
Now in my pre-teen years, I was not what you would term the most popular kid in school. Perhaps it was those horrible “Student-of-the-Month” photos of me hanging in the main hallway, which they somehow always managed to take right after gym when my hair was flying every which way, or perhaps it was the oxford shirts and corduroy trousers in which my mother dressed me because I refused to participate in ridiculous wastes of time like school-clothes shopping. It certainly didn’t help that in addition to being smart and studious, I was also very, very shy, which led many to believe that I was stuck-up. I suppose if you’re naturally adept at making conversation, it’s difficult to understand that other kids might not be.
You can therefore easily picture the scene in the classroom that day: the anxious adolescent girl slouched in her seat, sweat drenching the armpits of her button-up shirt as she watched the clock, fervently hoping that time would run out before her turn came. You can imagine my nervousness when, five minutes before the bell, my teacher called me to the front of the class, the last reader to go; my terror as I stumbled up to her desk clutching the half-sheets of paper on which I’d scrawled my assignment. As usual, I had pushed the limits on the suggested length – my story was at least twice as long as anyone else’s – and the only saving grace of this enforced public humiliation, I thought, was that I would undoubtedly run out of time to finish it before the lunch bell rang.
Tucking my loose hair back behind my ears and focusing my eyes firmly on my papers, I began to read. It turned out that reading wasn’t so bad; unlike giving an oral report, you didn’t actually have to look at any of the other students. And it was a decent story, I reflected as I flipped through the pages, concentrating hard on not losing my place. At least my classmates were sitting silently, which made them easier to ignore.
At last I reached the climax of my tale, which was where it turned gruesome. The main character had gotten trapped in a fire, and I remember describing, in disgusting detail, the sizzle of the hairs frying on his arms as the hot flames neared. I remember describing the flames devouring his flesh, great flaps of it falling from his skeleton as his skin seared away. And I remember the silence of the classroom; I remember it breaking, the moans and groans that swelled all around me as I depicted my main character’s excruciating demise, only to be interrupted by the harsh clanging of the bell.
No one stirred; no one rose; no one left. I glanced at my teacher, who nodded. The other students sat rapt while I finished my story, and they applauded when I was done. There was no question that I had won the contest.
I was pleased that my story had gone over well, of course, but it wasn’t until the following week, when other kids were still coming up to talk to me about it, that I understood that I had somehow made an impression that went beyond my gruesome, graphic horror story. It was as if I had revealed that somewhere beneath that classic nerdy exterior was a real honest-to-goodness person, a kid who thought about things like destruction and death, and flames eating flesh, and how best to describe such horrific events.
I’ve never been big on Halloween, myself. I’ve never liked the pressure of having to pick out a costume and then explain why I chose it; I’ve never even understood the appeal of dressing up and playing pretend. I have other ways of exploring my dark side. Nowadays you won’t find me in a starched, striped shirt, or in old-fashioned slacks, but don’t be fooled by the sweats and sports bra in which you’ll typically see me lounging about the house, because that’s not who I am, either. It’s just a costume; an innocuous mask meant to show nothing, to reveal nothing, to suggest nothing. My thoughts are inside me. They can never be exposed by a mere choice of outfit.
My long short story Weekend Away: An Almost-Erotic, Almost-Love Story is FREE for Kindle through Monday the 17th.
Prefer the audiobook? It’s now available on Amazon at the discounted price of only $2.77!
“And then we were standing, rising up from the water, and as the droplets cascaded down my naked body I imagined myself as a mortal and less awe-inspiring version of Aphrodite, and Jesse as Poseidon, except with, um, only one prong in his trident.”
Cindy’s friend Jesse is great – especially when he gets out of her way after the “benefits” part of their evening is over. So when he proposes a weekend excursion at a nearby lake, she’s naturally suspicious – isn’t that the kind of thing “couples” do? Now she might never be able to get the smell of him off her…
In Just the Three of Us: An Erotic Romantic Comedy for the Commitment-Challenged, we learned the story of Sam and Kathy and Ted, three good friends who become even better lovers. Now find out what happens to the author when her real-life inspirations read her book in The Other Three of Us.
The Kindle box set featuring both Parts 1 & 2 of this follow-up sequel is FREE for Kindle on Amazon through Monday, September 17th!
Today is the last day to download In the End: Short Fiction by Lori Schafer for FREE for Kindle.
It was coming at last.
The end of all things.
All but the darkness…
Everything comes to an end. Lives and loves, joy and innocence, peoples and nations; nothing is spared. Even our own world must one day bid us farewell.
In this collection of short fiction, author Lori Schafer examines these ends – how they occur, why they occur, and what they mean to us when they do. Features author commentary on selected pieces.