Byron Edgington (http://www.byronedgington.com/), author of The Sky Behind Me: A Memoir of Flying and Life, has posted his review of On Hearing of My Mother’s Death Six Years After It Happened on Goodreads. I read it yesterday, and his remarks about the book are so kind that I’m still blushing – in fact, his only complaint is that the book is too short (see my comments following the review):
“Here we have an extended essay/memoir on surviving a parent’s psychosis, inventing a life and then learning of the death of the long-forgotten parent many years after her passing. It’s much too easy to compare such works as Ms Schafer’s to other neglected childhood fare: Jeannette Walls ‘Glass Castle,’ Christina Crawford’s ‘Mommy Dearest’ etc. Too easy, because the parents in those memoirs cannot be easily forgiven; they can only be easily explained. Their cruelty stems from ambition, neglect, the depredations of poor parenting skills. Ms Schafer’s mother, on the other hand, offers a much more subtle, we might say inexplicable source of her wanton neglect and cruel treatment: mental illness and its untreated ravages.
Lori Schafer is an accomplished writer at the apex of her craft. Her images and reflections shimmer on the page: “grilled cheese and tomato…butter-brown bread…’ including good alliteration and excellent use of sentence length variation, she keeps readers moving forward. “The sidewalks were empty. I was empty.” Beautiful stuff.
Transitions are well done, despite many flashbacks and oblique references. Only one time, at an end chapter, and a reference to ‘Lila’ did this reviewer lose the thread, but then it picked up again.
Schafer’s use of a fictional device inside her memoir is very well done. She writes as ‘Gloria,’ to explain the horrors of a childhood in crisis, while giving herself a bit of remove as the writer. It’s an excellent device, and it works very well. It’s also entirely understandable. Much like any child will have an invisible friend, or a security blanket, Schafer has Gloria.
The writer’s voice stays consistent throughout, shifting with subtlety between the teenage, angst-ridden Lori and the determined older Lori living in a car in Berkeley and making her own way. “I was learning,” she writes, scraping for bottles and cans in Berkeley “…like the poor man’s Santa Claus.”
There are a few loose threads: We’re never told what happened to ‘Sandra Johnson.’ Indeed, none of the siblings’ lives are explained. There’s a reference to Schafer’s own concern about being poisoned, a thinly-veiled worry that she might have acquired her mother’s mental illness, but this is not addressed or enlarged. We don’t hear about mom’s own family history, or what may have contributed to her instability, only that ‘Judy Green-Hair’ is a serial marrier. Just open a vein, as they say; readers want more details.
Indeed, one critique of this memoir may be that it’s too darned short, that readers want to know much more about who this writer is: how did that young woman survive all she did? What resources did she uncover in herself? How’s she doing now? Has she finally found ‘a safe place?’
Wordsworth wrote, ‘…the child is father to the man,’ and we must assume he meant mother to the woman as well. If so, at the end of her fine memoir, Lori Schafer pays tribute to that young mother of herself. This is a good, fulfilling memoir. I just wish it was longer, darn it. Four stars, only because it’s too short.”
Byron Edgington, author of The Sky Behind Me: A Memoir of Flying & Life
Although it’s not an unqualified five star review, I’m really very pleased with it because Byron’s feedback actually gave me a great idea. It’s true that there are certain parts of the story into which I do not delve, in particular, regarding my mother’s family history, or what ever happened to my sister. I can’t provide answers to those questions simply because I myself don’t know the answers. My mother’s parents died when I was too young to know them; I don’t remember her sister and was merely acquainted with my uncle. I know very little about my mother’s life before me, and virtually nothing about the rest of her family. Likewise, my sister and I fell out of touch even before I left home, and as to Sandra Johnson, she’s a mystery that will forever remain unsolved.
But at no point do I ever make any of this clear to the reader. Most people, I think, see “family” as constituting a group of people; a set of relations with whom one shares varying levels of affection or bonding. For me, “family” meant Mom. She was it; there really wasn’t anyone else to fall under that heading. So it frankly never occurred to me that I might need to explain why I wasn’t talking about those larger family issues. But, of course, Byron is absolutely right; readers will be curious about those aspects of the story, and even if I have no real answers to give them, I like the idea of explaining why.
And this, of course, is one of the beauties of independent publishing. I’m not bound to someone else’s contract, or to a print run of thousands of copies that are already stacked and waiting in warehouses. So why not add another chapter? Even with my current crazy schedule, I can probably even get that done before the release date, and start fresh with an improved version of the story. A good idea is a good idea – even if it wasn’t my idea!
So thank you, Byron, for taking the time to detail what you thought was missing from my book. Your feedback is greatly appreciated, and I hope you’ll be glad to know that someone is listening.
Goodreads Book Giveaway
On Hearing of My Mother’s Death Six Years After It Happened
by Lori Schafer
Giveaway ends November 23, 2014.
See the giveaway details
What a constructive and affirming review Lori! How wonderful! Curious now to know how many words your memoir is? What ‘too short’ might be! Looking forward to reading it :)
It is short – about 26,000 words or a hundred printed pages. But I think Byron was concerned more with the loose ends than with the actual length of the book. In fact, because of its episodic nature, I don’t think that my memoir would work well if it were a lot longer – it would have to become a more straightforward narrative to be sustainable, and that would detract from the uniqueness of its structure. Fortunately, we live in an era in which there’s sufficient flexibility in publishing where we don’t necessarily have to pad or trim our word counts in order to have a publishable product. You finish the story when it’s finished – whatever that means in terms of length. :)
Thanks Lori for these details. I’ve pre-ordered it – available in the UK on the 7th November on Kindle. I look forward to seeing what you mean about the episodic style. I’m floundering with my 70,000 words and could do with some novel ideas (or perhaps just courage – as I’ve deviated from what might be ‘the norm’ in several places where there is no flow because there was no flow – you might know what I mean!) Most of it works but my brain has stored some elements differently, so I’m intrigued to see how yours reads.
Looking forward to it greatly
I think I know exactly what you mean. Sounds as though you’ve got a solid case of form fitting function, which, if you’ve done it well, is probably the best approach! I’d be really interested in reading some of your WIP – will you be posting excerpts? Please let me know if you do – I can’t always keep up with all of the blogs I like. but I have a feeling our writer-ly minds function in similar fashion, and I’d love to see how it’s progressing! :)
Lori: You’re entirely welcome, and I look forward to reading ‘the rest of the story,’ as Paul Harvey used to say. Keep up the good work!
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Thanks, Byron! :)
A great review and a definite must read.
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Thanks, Irene! I hope other people agree! :)
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Very Cool Lori!!