Tag Archives: mental illness

I am Subject: On Writing My Memoir

I am participating in Diane DeBella’s #iamsubject project http://www.iamsubject.com/the-iamsubject-project/. Here is my #iamsubject story.

ON WRITING MY MEMOIR

I forgot her.

I hadn’t intended it. I didn’t mean to forget, or to set her aside. I didn’t plan to consign her to the fog of some distant past, or to the blur of some hazy future. I had no plans for her at all. I didn’t even realize that she was missing. I did not know that she had been forgotten.

About a year ago, this young woman I had banished from my memory returned without warning. I know what prompted it. I found my mother’s obituary online. She had died, without my knowing it, six years before.

My mother was gone. Her insanity and the cruelty to which it drove her would lie forever buried, vanquished by the final failure of her physical being; she would never return. But that young woman would.

She came to me first in the guise of a story. Not a memory, but a story, a short piece of fiction that bore a striking resemblance to a vague recollection I had of her life. It wasn’t true. It wasn’t real. How could it have been?

A short time later, she came again, with another story to tell. To quiet her, once more I put her in fiction. But I didn’t examine her character closely. She couldn’t bear examination, and neither could I. Still, she kept coming. She appeared before me month after month, in story after story, until suddenly I realized that the stories were no longer fiction. They had diverged unexpectedly into other forms, into nonfiction and narratives, essays and vignettes. Short bursts of truth expunged onto paper.

They meant little at first. A memory here, an incident there. Never very personal, and never very real, at least not to me. Events that had indeed transpired, but in another woman’s life. Not in hers, and certainly not in mine.

I continued to write them down nonetheless. They were compelling, these bits and pieces of someone else’s past. Some of them sad. Some of them frightening. But after a time it hurt, telling her stories. It was no longer merely an exercise; I began to feel it, someplace inside. Someplace I had forgotten I still kept inside.

They were horrible stories. A mother’s psychosis. A daughter’s terror. Stories of pain and isolation, of threats and violence. Stories of a woman who needed help and never knew it; stories of a girl who cried for help and never received it. Stories of hunger and homelessness, of the ever-present fear of capture and the deathly slow torture of starvation. Stories of a runaway shivering through cold autumn nights filled with loneliness and desolation. It pained me to tell them so I stopped. I had forgotten that girl and her stories two decades before. What sense was there in bringing them back now?

I put them away. But I could not put her away. She would not go quietly, as she had twenty years before, when, more than anything, I had needed to leave her behind. This time she stayed; this time she waited. Until I was ready to tell the rest of her story.

It happened unexpectedly one spring afternoon, just a few weeks ago, when the sun was shining brightly and a stiff breeze was blowing across the rooftop where I like to do my writing. The last six thousand words, the ones I had been holding back, the ones that told the rest of her story. Not of what had happened to her. That I had told already, the factual version, a clinical history of severe mental illness. No, these words finally revealed how I felt about it, of what it meant to me, deep down in places I don’t care to explore. How sorry I am for her pain. How deeply I feel for her, that young woman whose life took such dreadful and devastating turns. How deeply I feel for me, for having to remember. For how much it hurts me to remember.

I found myself weeping as I typed, weeping over a long-distant past, the words blurring before my eyes as, for the first time in twenty-some years, she came sharply into focus, that girl that used to be me. How hard it is to hurt for someone else. How much harder still, to hurt for yourself.

I had tucked her away into the deepest recesses of my mind, into the darkest corners of my heart, that unfortunate young woman I once knew so well, so intimately, that I could not have distinguished between her and me. I thought I could leave her behind, as I had left my family behind; thought I could forget, get by without her.

But that day on the rooftop with the sun warming my face and the wind whipping away my tears, I knew this could not be. I had lost a vital piece of myself, of who I am and who I was. I had to reclaim her, to re-forge the connection between her and me, to integrate us, the former she and the current me.

The following day I added the final segment to my memoir. It depicts perhaps the most important part of our journey together because it’s the story of our transition, from her into me. The story of how a dauntless young woman somehow managed to dig her way out of a hole of despair, to hold onto hope in a sea of hopelessness, to fight a battle she had little to no chance of winning. Because what I discovered, when I opened the door to let her back into my life, was that much of my strength lies not with me, but with her. And as I find myself facing a new set of trials I finally understand how much I need her, how firmly I must grasp hold of the young woman I used to be, for she, more than I, has the power to persevere, to overcome, to survive.

Perhaps I do not like the memories she brings. Perhaps I would prefer to allow her to settle quietly into the dust of my personal history, to let her remain forever buried, as my mother is now. But with her inside me I need not shy away from fear, from pain. She copes with fear. She handles pain. She is, and always has been, subject.

I cannot be subject without her. But together, we can be.

***

Update: I am thrilled to announce that my essay “On Writing My Memoir” has been selected for inclusion in Diane DeBella’s I Am Subject anthology! Please click the image below or visit iamsubject.com to learn more.

For more information about my memoir On Hearing of My Mother’s Death Six Years After It Happened: A Daughter’s Memoir of Mental Illness – available November 7th in paperback and audiobook, and available now for Kindle pre-order – please click the image below or visit the book’s webpage.

Moving In, Moving Out, Moving On: A Memoir

My short memoir “Moving In, Moving Out, Moving On” has been published in Foliate Oak Literary Magazine:

http://www.foliateoak.com/lori-schafer.html

Although this piece now forms a part of my memoir On Hearing of My Mother’s Death Six Years After It Happened, I was originally prompted to write it for the 2012 Ladies Home Journal personal essay contest. The theme was “The Day that Changed My Life.” Boy, was that tough. Very few of my life’s big changes can be traced to one day. The day I nearly drowned a few years ago was a contender, but I don’t think I was ready to write about that yet. The day I ran away from home would have been an obvious choice, but it didn’t make for much of a story. But then there was this day, the day I became aware that my mother was mentally ill, and that, I thought, had possibilities. Still, I suppose it would be a stretch to say that that particular day changed my life; rather, it was more that it marked a turning point in my theretofore comparatively carefree teenage existence.

It’s an interesting idea, though, isn’t it? Every day, people are faced with calamitous events that, in a flash, change their lives forever: accidents, natural disasters, illnesses, deaths in the family. You can’t even prepare for those kinds of changes because, unlike the string of fairly predictable events that make up the majority of modern life – going off to college, finding a job, getting married, having children, retiring – you don’t know they’re coming. Perhaps that’s why these kinds of stories fascinate us; there’s something wonderful in the way people respond to unexpected challenges, sometimes even something heroic. And while none of us wants to suffer a sudden catastrophe, maybe deep down we all hope that we would have the strength and courage to handle one if it came our way.

 

My Short-Short “Poisoned” in The Journal of Microliterature – Thanks to an Editor’s Wonderful Feedback

My flash fiction story “Poisoned” has been published in The Journal of Microliterature:

http://www.microliterature.org/poisoned-by-lori-Schafer

This was a very tricky piece to put together. It was actually inspired by an incident that occurred in the course of my mother’s psychosis. One day she took me to the hospital, complaining of chest and abdominal pains. I was naturally concerned, but I also recall being hopeful that having a doctor examine her would lead to the (I thought) inevitable revelation that she’d lost her marbles. No such luck. But anyway, they took her complaints seriously, because although she was in fairly good health, at forty-one she wasn’t exactly young anymore, and was a smoker besides, so there was legitimate reason to believe there could be a problem with her heart. They gave her the requisite battery of tests, but couldn’t find anything wrong. Now, as an adult, I can pretty easily guess what they must have told her – that she’d had an anxiety attack, which she probably had – but at the time I had no idea such a thing even existed. In fact, I wondered more if perhaps it was all in her head; she was imagining a lot of strange things in those days. Then the doctor left the room and the interrogation began. And that’s when I began to be afraid that she’d somehow manage to pin the blame for her mysterious illness on me.

The first version I wrote of this piece was mostly reflective of that – my terror over being falsely accused and probably convicted of poisoning my own mother with some substance of which no one could prove or disprove the existence. I sent my story off to Microliterature, and a few weeks later I received a response from the editor that basically said (politely) that I had ruined an otherwise good piece by changing the tone halfway through. He was absolutely right. The story ended in hysterics, with the husband being dragged away by the police, which, while it carried the plot in an interesting direction, utterly wrecked the dreadful calm of the first half of the story. He did, however, say that if I ever did a rewrite, I should feel free to resubmit.

So I rewrote it. I changed the second half of the piece entirely, including the ending, making it more about the relationship between the husband and wife than about the consequences of the wife’s accusation. And I was careful to maintain the tone of the first half of the piece throughout, which worked worlds better than the original version. And here you see the results. How grateful I am to that editor! With one brief sentence he nailed what was wrong with that piece and clued me in as to how to change it from a so-so story into a well-done one. I realize, of course, that few editors have the time to address the defects in the submissions they receive. But I hope that those who do make the effort are aware of how much we writers truly appreciate their feedback, and of what an impact a few choice words can make on the quality of a writer’s work.

Addendum: After this story was published, I also composed an alternate version, a nonfiction piece also entitled Poisoned, which is written in the first person and is featured in my memoir On Hearing of My Mother’s Death Six Years After It Happened. It received an Honorable Mention in The Avalon Literary Review‘s Spring 2014 Quarterly Contest and may be downloaded as a FREE eBook at your favorite  eBook retailer; I have also posted it here for those who are curious to compare the two versions.  Needless to say, I was very careful to maintain a consistent tone throughout!